This project explores the fluidity of human emotion and consciousness through abstract, shifting forms that resemble fragmented bodies. These figures, although amorphous and unstable, exist in enclosed, familiar spaces «rooms» that remain largely unchanged. This contrast represents how internal experiences evolve over time, while external realities, surroundings, and even social expectations often remain fixed.The figures are neither fully present nor entirely absent. They distort, dissolve, and transform, reflecting the instability of self-perception and emotional flow. Their dissolution suggests a sense of invisibility, both self-imposed and externally imposed, raising questions of identity, isolation, and transformation.Emotional Mutation versus Physical Immobility - The figures shift and change as emotions evolve, while the rooms remain static, symbolizing the passage of time and the dissonance between internal growth and external constraints. Invisible Self - The title No One Can See Us plays on the idea of both bodily absence and psychological invisibility, asking how much of our inner world is truly perceived by others.Memory and Space - Interiors act as vessels for experience, absorbing and reflecting the emotional states of figures, just as spaces hold memories and echoes of past selves.Perception - Fragmented, fluid forms suggest that the self is not fixed, but in constant motion, continually shaped by emotion, time and the environment.